Bhooth Bangla (2026)

Bhooth Bangla (2026) — Review

Horror-comedy is waqt Hindi cinema ki sab se reliable genre machine hai, aur Priyadarshan — jis ne practically modern slapstick ki kitab likhi hai — is ke liye fit to hona hi tha. Bhooth Bangla mein Akshay Kumar, Tabu, Paresh Rawal, Rajpal Yadav aur Wamiqa Gabbi ek bhootiya haveli mein phans jaate hain, aur phir wohi hungama hota hai jis ki aap ummeed karte hain.

Scares itne real hain ke farq pare, aur itne silly ke hansi aaye — aur genre ka poora trick yahi hai. Akshay apne comfort zone mein hain aur saaf nazar aata hai ke woh enjoy kar rahe hain; Tabu, jaise hamesha, jis cheez mein hoti hain usay buland kar deti hain; aur Rawal-Yadav ka comic engine waqt par fire hota hai. Set pieces ki staging mein — darwaze, corridors, woh cheezein jo raat ko aawaz karti hain — Priyadarshan dikhata hai ke comic timing woh aaj bhi taqreeban sab se behtar samajhta hai.

Kya yeh original hai? Khaas nahi. Genre ka formula poori film mein nazar aata hai, aur jo log horror-comedies se tang aa chuke hain unka zehen nahi badlega. Lekin is space mein hits ko also-rans se execution alag karti hai, aur Bhooth Bangla execute karti hai. Trade estimates isay worldwide taqreeban ₹259.1 crore par rakhte hain — har pemane se ek Hit.

Rating: 3.5/5
Verdict: Bilkul wohi haunted-house romp jo promise karti hai — funny, spooky, aur commercially sound.